Friday, 25 September 2015

What is the importance of Mise-en-scene and sound in creating meaning and generating response in La Haine

The first time that we see the character of Vinz, he is in a dream in which he is dancing to very stereotypically Jewish music in a very comical way that is once again seen as a very stereotypically Jewish style. This use of non-diegetic sound and performance mise-en-scene clearly shows Vinz’s Jewish heritage which, as the audience have just been introduced to Said, shows the wide range of nationalities and ethnicities of the people who live in the projects. Though this scene is a dream, it is set in a very dirty environment. In the background whilst Vinz dances, the walls are covered in graffiti and there are wooden pallets laying around. This use of mise-en-scene shows the fact that even when he dreams, Vinz is unable to escape from the environment he lives in due to his social situation.
When Vinz is woken up, the non-diegetic sound of the ‘Jewish’ music can still be heard, though on a lower volume. This use of sound represents the fact that, though in his waking hours Vinz is still Jewish, he has to be much more low-key about that fact, however in his dreams, he can be much more open about his Jewish heritage. Furthermore, with the use of a 360 degree camera pan, we are able to see the contents of his bedroom, which he shares with his sister, showing the poverty within the projects, as they do not have enough bedrooms for the entire family. Vinz’s room is completely filled with brands that the audience would not expect to see in a French environment, such as Adidas and Nike trainers, and he is wearing a t-shirt of American superhero ‘Spiderman’. The walls are also covered in posters of American boxers and Marilyn Monroe, and the bedroom door has a poster of Bruce Lee who is very prominent in American culture. This use of mise-en-scene emphasises the Westernisation that was happening at the time and is still happening today, pushing out the traditional cultures of these countries. This scene may cause confusion in the audience as they would not expect to see this in a French environment, the scene looks as though it should be set in America. There is also a lack of anything educational on Vinz’s side of the room, with the very few books he owns serving no purpose other than to hide his drugs. This illustrates the fact that the men in the projects are very often uneducated, therefore giving them no hope of moving away from their social circumstances.

Later in the film, Hubert and Vinz go to the police station to wait for Said to be released. Hubert begins rubbing his neck which illustrates that he is clearly uncomfortable being in close proximity to the police officers, whereas Vinz’s gaze is never still and he is constantly moving around, which shows that he is, less uncomfortable, but more uneasy and untrusting of them. One police officer stares at Vinz as he walks past, showing that the police are constantly suspicious of the youths. This suspicion between the police and the youths, illustrated through the mise-en-scene of their performance, creates a very tense atmosphere that causes the audience to become very uncomfortable. Through a 180 degree pan, the Police station is shown to be very run down and covered in graffiti, which shows the audience that the police are not immune from the destruction of the riots, and are in a very similar situation. Furthermore, the Police Officers are shown to be smoking and simply hanging around, very similarly to the actions of the youths that they are in conflict with. This mise-en-scene also shows that the police are of as wide a variety of ethnicities as the rioters and the residents of the projects, which shows that the conflict that triggered the riots was not based upon race, as they would be far less likely to shoot a young man simply because of his ethnicity if they were employed alongside a man of the same ethnicity, and was most likely a very misunderstood situation. This links to a quote by a French poet and Philosopher ‘Charles Baudelaire’, a picture of whom is shown at the end of the film in the projects, who said that ‘The world only goes round on misunderstanding’. This links not only to the ethnicity of the police officers, but also suggests that whilst there is misunderstanding between these groups, the conflict between them will constantly go round in circles with no end.

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